Two golden rules of bidding

It is a truth universally acknowledged, that a bridge player with a good hand who makes a forcing bid below 3NT must be in want of a game (but not necessarily slam).  This is the well-known principle of "game before slam," expressed as Jane Austen might have put it.  This rule is typically invoked when the partnership hasn't yet determined which strain they will play in at game. Because games are so valuable and so common in bridge, getting to the right one takes precedence over the more remote possibility of slam. In other words, if a bid could be construed as either a probe for the right game, or a cuebid in search of slam, assume the first meaning.

What is not so firmly established in the bridge player's compendium, but which is no less significant in my view, is the following rule which applies to competitive auctions: "declare before game."  This recognizes that it is more important in competitive auctions to play the hand than it is to get to a game.  Or, if a bid could be construed as either a competitive bid, i.e. to play, or a cuebid in search of game, assume the first meaning.  It goes without saying that slams take a distant back seat in competitive auctions.

Here's an example from this week's Swiss team event at the club.  You are South holding ♠ AQ ♥ J74 ♦ A653 ♣ K976 (nobody is vulnerable). Partner deals and opens 1♣.  RHO comes in with 2♣ (Michaels) and you bid 2♥, showing a limit raise or better in clubs.  LHO now bids 3♠!  Before I tell you what partner does next, let's think about the possible continuations.  What would it mean if she bids 4♣?  Apply the rule of declare-before-game.  4♣ would therefore say: "I have extra length in clubs (presumably five or more), a minimum hand and I want to play 4♣ unless you have enough to bid 5♣."  What would double mean?  Well, this obviously depends on your agreements, but we've already established that it's "our hand" and that we have a fit in clubs.  My preference would be for penalties (because of the 2♥ cuebid) but, given that you are sitting under the spade length, a good alternative is "BOP" (balance-of-power) asking for your opinion as to whether to bid on or defend.  [Do you know what double would be in your partnerships?]  3NT would obviously be "to play."  Any other bid at this level would, I believe, be a cuebid in search of slam committing our side to at least 5♣.  Pass covers every other possibility.  In this case, your side is committed only to 3♣ so partner's pass would not be forcing, even though she's hoping you'll be able to do something. From her side of the table it's possible, though perhaps unlikely, that the best your side can do is to defend 3♠ undoubled.

As an aside, if LHO had bid 2♠ only, a couple of things would change.  Pass in the direct seat would now be 100% forcing because we are committed to try for at least 110.  Three-level cuebids would show stoppers in search of game, not slam.

In fact, partner bids 4♣.  I think it's a toss-up whether you should pass or bid on to 5♣.  You have a lot of losers outside the trump suit.  It turns out that on this board, you can take nine tricks in notrump or eleven in clubs (partner has AQJxx of clubs, AT9x of hearts, and two small doubletons).  But from partner's side of the table, where spades can be profitably led, one trick fewer in each strain is possible.  To give credit to the opponents, the 3♠ call gave our side a real problem.  It was now unrealistic (my opinion) to bid 3NT and so 4♣ is in fact the best that we can do, practically speaking.

So, what happened?  Our side ended up in 5♣ from the wrong side for –50, losing 6 imps (and consequently one VP).  At the other table, where your scribe was playing, the auction was quite different.  North did not open, and South opened 1♦ in third seat.  After a heart response, the bidding died out in 1NT from the right side.  We didn't take all of our tricks and so we were –180.  Obviously, the swing could have been much greater (10 imps and another two VPs).

Our teammates were not clear on the meaning of 4♣.  In fact, North intended it as competitive, just as the rule would suggest, while South thought that it was Minorwood in search of slam.  I think it's very important to have these two golden rules of bidding well understood and agreed in a partnership, because these types of auction occur quite frequently.

Staying with the program

One of the best and most memorable bits of bridge advice I've ever received came from my own dear wife, Kim.  At the time, I thought I was the one that was supposed to be doling out the advice, but that's another story.

"Stay with the program," was what she said.  I had wimped out in the run up to a slam (or possibly I passed a forcing bid, the details have been blissfully erased from my memory).  But I have never forgotten the advice.

Here's an example of what I mean.  Names have been omitted but my partner understands that he didn't stay with the program on this occasion!

His hand was ♠AK86 ♥Q8 ♦A98532 ♣7, red on white at matchpoints and LHO had dealt and passed.  I opened 1NT (12-14) and partner (with hand shown) bid 2♦ (game-forcing Stayman).  I rebid 2NT (no four-card major and no five-card minor).  Partner bid 3♦.  I now bid 3♥.  This bid implicitly accepts diamonds as the trump suit (unless of course we later elect to play in NT) and shows a heart control, and by extension some interest in slam.  It was at this point that partner dropped the ball and bid 3NT.  Either of 3♠ or 4♦ ("minorwood") would have got us to the lay-down 6♦.  Instead, we languished in a contract that was destined to go down 1.  However, I was so discombobulated at missing the slam that I forgot I wasn't even in a ♦ contract at all and so "cross-ruffed" my way to down 3.

The moral of the story is this.  If you make a bid that invites a slam (or game) and then partner makes a forward-going bid, even if his hand is limited, it's your duty to cooperate.  You cannot wimp out.  In other words...

Stay with the program!