This is a blog about bridge -- everyday comments on stuff that happens at the table -- or theory. If you can't see a hand diagram (i.e. it shows blank) it may be because you are using https:// to access the blog. Try using http:// instead.
I recently played in the NAOBC teams tournament (0-5000). We reached the quarter-final but, sadly, our luck ran out there.
Along the way, there were some interesting slam hands. This one was an exemplar for what I call the "Granovetter Principle." It's common sense, of course, but it was drilled into me on a similar hand by Pam Granovetter during an online bidding practice session.
Here is the hand on which, surprisingly, we gained 17 IMPs when my counterpart received a less favorable lead and went down in the same contract:
The essence of the principle is that, when you are in a control-bidding sequence, as soon as you know that slam is safe, bid it. Don't pass the buck to partner, however enthusiastic he may have seemed so far. Because, if he simply signs off in a game contract, you won't know what to do any more than you know now. In fact, you may think he's showing doubt and so pass, when all he's saying is that he has nothing more to say that you haven't already heard.
In this case, after Dan bid 5♣, I had an "obvious" 5♦ bid. But if I bid 5♦ and Dan bid 5♥, I wouldn't know any more than I already did. So, with Pam's advice swimming in my head, I just bid 6♥.
My favorite partner and I decided to support our local clubs with the ACBL "Black Point" game on BBO. Entry is $5 each (many clubs in the US only charge $5 per pair, although in the Boston area it's usually $10-12). It takes 2 full hours to play 18 boards so it's excruciatingly slow.
But a couple of things came up that were perhaps worth the entry fee.
While, I've known the mechanism (and name) of "Last train" for a long time, it had never actually come up before in the heat of battle--at least not knowingly. Here it was in the flesh. We got to a decent 6S contract (made even more decent by getting a club lead).
The second thing that came up is that it turns out that we don't play the same count signals (and haven't done for several years, it seems). We play UDCA, as I do with almost all of my partners, but once a suit has been broken, we play present count, right? But do we play present count upside down or right-way-up? Turns out that all the "good" players play it right-side-up. What about you?
The Granovetters' column in the Dec 2009 issue of the Bridge bulletin affords a perfect illustration of the way I like to play control-showing slam try sequences – i.e. not the way Pam's partner did it.
Here's the hand:
♠
J62
♥
AKT4
♦
J3
♣
KT86
♠
T98
♥
Q973
♦
T976
♣
J2
♠
K7
♥
J65
♦
Q852
♣
9754
♠
AQ543
♥
82
♦
AK4
♣
AQ3
The auction went as follows:
West
North
East
South
1♣
p
1♠
p
1NT
p
2♦ 1
p
2♥
p
2NT
p
3♠
p
4♣ 2
p
?
1) game-forcing checkback
2) control-showing slam try
What would you bid with the North hand? Pam, who was playing South, was bemoaning the fact that her partner did not bid 4♥ in response to her own 4♣ call – and she is totally right to complain!
There are two rational methods of searching for a good slam. One method, generally favored by experts, is the so-called "serious 3NT". After a three-level bid, and when a major suit has been agreed, a bid of 3NT says "I'm seriously interested in slam, please show a control". Making a different control-showing slam try says "I'm somewhat interested in slam, please show a control, but only if you are now seriously interested".
The other method, which doesn't require so much memory work and uses less of a distinction between major and minor suits, is as follows:
When the first control-showing slam try (cuebid) is made, the response depends on whether responder has already narrowly limited his hand. If he has so limited it, then he is required to show a control (the cuebidder already knows responder's hand strength and still wants to know about controls). If he has not narrowly limited his hand, then showing a control implies enthusiasm for slam while signing off in the trump suit denies a suitable slam for hand, but doesn't deny a showable control. A second cuebid by asker now demands responder to show a control.
Unfortunately for Pam, they were apparently playing neither of these schemes. North thought that he had a "bad" hand and therefore should not show any enthusiasm for slam. But he'd already said he had a balanced 12-14 and South knew that. Within the context of a 12-14 point hand and the auction so far, North has a terrific hand. The ♥AK are golden (South hasn't shown shortness in hearts) as is the ♠J. Only the ♦J is of dubious value. We assume that the ♣K is useful because partner has cuebid the A and since it's in the suit we opened and partner has shown interested in slam, it's extremely unlikely that he is showing shortness.
So, somewhat unusually, I'm totally in agreement with Pam this time. I don't buy the argument that the strong hand (South) should make another effort beyond the safe haven of the spade game.